I enjoy creating images like this. I don’t go out with the intention of making them, they seem to come about at the end of an engaging photo event - and I say event, as sadly, I don’t photograph much. I know, I know, but that is an entirely other story. When I do get my camera out of the bag, the scenario usually plays out something close to the following: initially, I get so excited, my eyes dart in every direction and I continually press the shutter, moving from one subject to the next. Until at last, I begin to see a little more perceptively, breathe a little more slowly, and if I stay with it, I finally settle and quietly take in the subject. It could be a shape or form, a color, line, or texture that catches my attention. After choosing what I would like to try to express, I make a conscious effort to place an element or elements in front of my subject so I have to shoot through them as I focus on my subject. Vignetting, using them as a sort of soft focus filter, or adding another layer of color. When it all comes together, the results exceed all I could have imagined. I’m never sure if what I am feeling will translate to a successful image until I look at it for the first time.

Fellow photographers often ask how I create these selective focus images. It is difficult for me to respond beyond the technical aspects. When I look at them, I can recall precisely, the moments, as I photographed. I breath in the smells and feel the ground beneath me. I can hear the sounds or voices of others that surrounded me while I was working. The images are the result of an interlude, a few moments of total immersion. They are simply my attempt to provide a provoking glimpse of the subject, and perhaps, even the photographer.
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